Celebrating Poland: Recalling some important Canadian Polonia events (1)

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Celebrating Poland: Recalling some important Canadian Polonia events (1)

By Mark Wegierski


Celebrating the 100th anniversary of the regaining of Polish independence amidst the megapolitan world-city
Mark Wegierski shares some Polish experiences in Toronto from two-and-a-half years ago.
On October 24, 2018, I attended the event “Celebrating Poland” at the showcase Harbourfront Centre in downtown Toronto, as part of the 39th edition of the Toronto International Festival of Authors (TIFA). There were three young Polish writers featured: Dorota Maslowska – author of, among others, Snow White and Russian Red (originally published in Polish in 2002 when she was only nineteen) – set in the social milieu of a low-life Polish gangster; Jakub Zulczyk – author of among others Blinded by the Lights (now an HBO Europe television series) (about a drug-dealer in current-day Warsaw); and Jakub Malecki, most of whose work has yet to be translated into English. The event was introduced by Professor Tamara Trojanowska, who had been for many years the main professor of the Polish Language and Literature program at the University of Toronto (in the Slavics Department), and moderated by Professor Eva Stachniak, author of, among other historical novels, The Winter Palace (about Catherine the Great).
There had been a flurry of Polish-related events in Toronto because of the 100th anniversary of the regaining of Polish independence (November 11, 1918). Poland was reborn after 123 years of often harsh foreign occupation by Tsarist Russia, Prussia/Germany, and the Habsburg Empire.
As part of the independence commemorations, Terry Tegnazian, a Los Angeles-based Armenian-American woman, a publisher of award-winning books on Poland’s World War II history, spoke at the Consulate-General of the Republic of Poland on October 25. There was also the 10th Toronto Polish Film Festival (ekran.ca) showing a broad variety of films from Poland. The Polish Students’ Association at the University of Toronto arranged the showing of three Polish films – The Gates of Europe, set in 1918 in Poland’s Eastern Borderlands; Warsaw 44, about the Warsaw Uprising of 1944; and Ida, set in the difficult post-World War II period under Communism. There was also an exhibition at Robarts Library, the massive main library of the University of Toronto.
On November 13, there was the book-launch of Being Poland, a massive collection of essays on Polish literature and culture since 1918, edited by, among others, Tamara Trojanowska (published by the University of Toronto Press). It was good to see some quickening of Polish themes in Toronto, around this important anniversary.
Nevertheless, this brief flurry of events cannot disguise the fact that the Polish-Canadians are indeed very low in the multicultural pecking-order of current-day Canada. There are very few authors of literary fiction, genre fiction, and works of social and political commentary in Canada, who could be described as belonging to the Polish-Canadian community. There are no such opinion journalists in any of the major Toronto newspapers, and probably very few in Canada as a whole. (“Canadian Polonia” is the term usually used by persons of Polish descent to describe the Polish-Canadian community.)
There are very few currently-sitting MPs and MPPs who could be identified as belonging to the Polish-Canadian community. Among the most prominent are Calgary-area MP Tom Kmiec, and the recently elected young MPPs in Ontario, Kinga Surma (Etobicoke Centre) and Natalia Kusendova (Mississauga Centre).
Until a few years ago, a person comparatively well-acquainted with the community, when thinking of authors, could probably think only of Eva Stachniak and Irene Tomaszewski, and perhaps K. G. E. (Chuck) Konkel (author of two, police-procedural-type novels, set in non-Polish locales – Hong Kong and Mexico respectively). There was also, in 1995, Marynia, Don’t Cry: Memoirs of Two Polish-Canadian Families, by Apolonja (Pola) M. Kojder and Barbara Glogowska, published by the University of Toronto Press.
I would like to discuss “A Mother’s Legacy”, Apolonja Kojder’s memoir in Marynia, Don’t Cry: Memoirs of Two Polish-Canadian Families. (The title of the entire book is taken from Pola’s memoir; the second memoir is by Barbara Glogowska.) Pola draws helpful attention to such matters as to how difficult life truly was in earlier parts of the Twentieth Century, as well as chronicling her highly tragic family history. Her father, mother, and their young daughter, Apolonja Rozalia, were deported in 1940 from Eastern Poland to far-northern Russia, where Rozalia would die – a sister whom Pola (who was born in 1948 in Canada) would never come to know. (Her parents settled after the war in North Battleford, Saskatchewan.) Her uncle was murdered by the NKVD as part of the Katyn massacres in 1940. She lists twenty relatives who did not survive the war. Tragedy continued after the war’s end. Her father’s cousin, Wladyslaw Kojder, a leader of the independent Polish Peasants’ Party, was brutally murdered by the Communist secret police in September 1945. She found out many years later, that another of her relatives died in 1947 as a result of chemical poisoning from slave labour in a chemical factory, to which he was assigned after rejecting an offer of Soviet citizenship. Pola’s father died in 1968 in a tragic workplace accident, while saving the life of another worker. Those were times when workplace heroism was not usually recognized.
During her speech at the Katyn commemoration ceremonies in April 2001, Pola endeavoured to describe to an audience which included Canadians the vastness of the Katyn tragedy. In the context of Canadian multiculturalism, her drawing attention to the somewhat variegated nature of the Katyn victims – all Polish citizens of various faiths and ethnic backgrounds – was rather creative and appropriate.
At the 2008 Annual Conference of the Canadian Association of Slavists held at the University of British Columbia, Joanna Kordus, a graduate student at UBC, presented a paper:
“Feminine Life Writing and Polish Ethnic Invisibility in the Canadian Landscape: Reading Apolonja Kojder’s Marynia, Don’t Cry Transnationally.”
Later in 2008, Joanna Kordus (who had emigrated to Canada at the age of thirteen) successfully defended her M.A. thesis in Comparative Literature on the topic of:
“Self-Inscriptions: Ethnic, Indigenous, Linguistic and Female Identity Constructions in Canadian Minority Life Writing: A Comparison of Apolonja Kojder’s Marynia, Don’t Cry and Rita Joe’s Song of Rita Joe.”
In her paper and thesis, Kordus brought attention to the many worthwhile and noteworthy aspects of Pola’s writing. She noted it was an almost singular example of a specifically Polish-Canadian identity and vision in Canada. Against all the odds and in the face of long-term travails and marginalization, Pola was attempting to give voice to a specifically Polish-Canadian identity. In her thesis, Kordus compared this to how the Aboriginal author Rita Joe was also writing out of a place of suffering. She compared Kojder’s use of Polish words, and Joe’s use of Aboriginal words, in the respective texts, as an attempt to catch some of the essence of conceptual differences between the so-called Canadian mainstream culture, and the two minority visions. Kordus suggested that a dialogue between diasporic and aboriginal minorities could lead to helpful insights.
Apolonja Maria Kojder is indeed a representative of a fragmentary tradition of Polish-Canadian writing, a tradition that has been beset by various adversities.


To be continued.
Mark Wegierski is a Toronto-based writer and historical researcher.
He was born in Toronto of Polish immigrant parents
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